Saturday, December 31, 2022

Young Women In the 1800s Who Married Old Men...

πŸ˜‘πŸ˜’πŸ˜–... No-no-NO!!!... 

While researching for another article, I happened upon an 1840s book which espouses harsh—and quite unintentionally hilarious—views on age disparities in marriage. This book, titled, "The Midwife’s Guide," is actually a Victorian edition of the 17th-century sex and midwifery manual known as "Aristotle’s Masterpiece". Written by an unknown author purporting to be Aristotle, it was the most widely read sex manual in 19th century England. Only a fraction of the text is devoted to May-December marriages, but those brief pages leave one in no doubt of how the author feels about matches of unequal years. He begins by writing:


"NEVER STAY IN A HOUSE WHERE A YOUNG WOMAN IS MARRIED TO AN OLD MAN." --- Irish Proverb. πŸ€πŸ€πŸ€πŸ€πŸ€πŸ€πŸ€

********************

“When greedy parents, for the sake of riches, will match a daughter that is scarcely seventeen, to an old miser that is above threescore; can anyone imagine that such a conjunction can ever yield satisfaction, where the inclinations are as opposite as the months of June and January?”

There are no results, for According to the author, an age gap this large can bring nothing but misery. As he explains: “This makes the woman (who still wants a husband, for the old miser is scarce the shadow of one) either to wish, or, may be, to contrive his death, to whom her parents thus, against her will, have yoked her; or else, to satisfy her natural inclinations, she throws herself into the arms of unlawful love: which might both have been prevented, had the greedy inconsiderate parents provided her with a suitable match.” The author goes on to give a lengthy example of a wealthy old widower who, upon attempting to arrange the marriage of his heir, was so bewitched by his future daughter-in-law that he offered for her himself. The young woman’s greedy father subsequently forced her to marry the “old gentleman” against her will. Unsurprisingly, the young woman was unhappy in the match and, in short order, found “a young gentleman of 22 years of age, whom she liked much better than her husband.” It was then that the young woman began to contemplate getting rid of her elderly spouse. As the author relates: “Then she became impatient for her husband’s death, and now thought every day an age to live with him, and therefore sought opportunity to cut off that thread of life which she was of opinion nature lengthened out too long...”

With the help of her servants, the young woman strangled her husband in his bed. She then removed to London where she lived happily for two years until “justice overtook her.” She and her servants were arrested, tried, and ultimately executed for their crimes, prompting the author to moralize that the whole episode was:

“...a sad example of the dismal consequences of doting love, and of unequal matches; for had this lady not been forced, through the desire of lucre in her parents, to marry the old knight, but had been married to the son, as was first intended, the old gentleman might have prevented an untimely death, and the young lady lived with innocence and honor.”

Despite his repeated emphasis on murderous, cheating spouses, the author acknowledges that unequal matches do not always lead to adultery and murder. Instead, he argues that it is more likely that the unfortunate young bride “curbs all her natural inclinations” and:

“...is contented with the performance of her husband (how weak soever it may be, and cold and frigid) and does preserve her chastity so pure and immaculate as not to let one wandering thought corrupt it...”

But even when the young wife’s conduct is beyond reproach, the author asserts that the elderly husband will still grow suspicious. This suspicion arises not from the wife’s behavior, but from the husband’s own deficiencies. As the author explains:

“...the husband, conscious of the abatement of his youthful vigor, and his own weak imbecile performances of the conjugal rites, suspects his virtuous lady, and watches over her with Argus’s eyes, making himself and her unhappy by his senseless jealousy...”

The author states that a young wife murdering her old husband and an old husband consumed with paranoia over being cuckolded by a young wife are but two of the many dire consequences of “old men’s dotage and unequal matches.” However, rather than continuing to enumerate the evils of old men marrying young women, he proceeds to address the reverse situation, writing:


“But let us turn the tables now and see if it be better on the other side, when a young spark of 22 marries a grandam of 70 years, with a wrinkled face. This, I am sure, is most unnatural.   Here can be no increase, unless of gold, which oftentimes the old bag (for who can call her better, that marries a young boy to satisfy her lecherous itch, when she is just tumbling into the grave,) conveys away, before marriage, to her own relations, and leaves the expectant cox comb nothing but repentance for his portion.”

The author goes on to paint a grim picture of the young husband who is, for all intents and purposes, enslaved by his wealthy, elderly wife. In most cases, he writes, the wife will allow him nothing more than “pocket expenses,” but for that small sum, the young husband is “bound to do the basest drudgery.” In the rare event the wife is generous with her money, the author warns:

Based on these portions of the manual, marriage seems an unpleasant—and rather dangerous—business. In fact, having read such dire predictions, the 19th-century man or woman contemplating matrimony would be fully justified in giving up on the institution altogether. The author, however, hastens to emphasize that the examples he has given are merely the “excrescences of marriage” and “not a fault of marriage itself.” He closes the section on unequal marriage by writing:

“For, let it be what God at first ordained, a nuptial of two hearts as well as hands, whom equal years and mutual love has first united before the person joins their hands, and such will tell you, that mortals can enjoy no greater happiness on this side heaven.”

--- By Mimi Matthews, for "Bosh".


"Daisy"... ("A Bicycle Built For Two," --- by Henry Dacre, 1892)

"Daisy, Daisy, give me your answer, do!

I'm half crazy, all for the love of you!

It won't be a stylish marriage.

I can't afford a carriage,

But, you'll look sweet.

Upon the seat of a bicycle built for two!

Michael, Michael, I'll give you my answer true.

I'll not marry,

Not to the likes of you!

If there won't be a stylish carriage,

There won't be any marriage,

For I'll be switched

If I'll be hitched

To a bicycle built for two!"


Hmmm... What about Victorian Era divorce???...

 First, --- what was the significance of Victorian marriage?

During the Victorian era marriages were not romanticized. Love actually played little role in marriage. This was very different in reality from what was depicted in the novels of those times, such as Jane Eyre and Wuthering Heights.

Matrimony was needed for conveyance rather than for love, or even for companionship.

 (I think they look like each other, and that's not a complement!) 😬

Grounds for seeking divorce

The view on divorce was quite lopsided. Divorce was not a common practice. It was not acceptable in Victorian society and so was difficult to obtain. There had to be strong grounds.

The only reason of divorce in the Victorian era was adultery. However, adultery was only easily valid for the man. 

Evidence needed for divorce

If a woman wanted to obtain a divorce on the ground of adultery she had to prove that her husband had indulged in bigamy, and thus had committed adultery. She also had to prove that her husband had treated her with excessive cruelty and had, perhaps, engaged in incest along with bigamy!

The main reason for this was that the husbands were supposed to take care of their wives and so their fidelity didn’t matter! While wives, on the other hand, if caught cheating were seen as greatly disrespecting the care of their husbands, and thus were a failure in fulfilling their wifely duties. πŸ˜‡πŸ˜ŒπŸ˜•

However, during the mid-19th century, laws dealing with divorce were modified, making it more accessible for both men and women. But, that was of little practical use. Not much real change was seen in society, regarding divorce.

In the Victorian era, divorce was also extremely expensive, so it was very difficult for the poor to get a divorce. Divorce entailed the loss of property and wealth. As property and wealth were accumulated from generations in a family, obtaining a divorce was neither economical nor socially practical. Thus, it truly was not an acceptable norm in Victorian times.

Englishmen could even sell their wives as an alternative to getting a divorce, and this was entirely legal!

---from "Victorian Era".


WHAT???... Why did Charles Dickens' wife take their 10 children and leave him???... Or, did he leave her???...



His troubled marriage...






Friday, December 30, 2022

What Was It Like In A Victorian Workhouse???...

 





Charles Dickens' Best Characters...

Notable Characters in the Works of Charles Dickens...

Charles Dickens is generally considered the greatest English novelist of the Victorian era. He populated his novels and other works with dozens of distinctive characters. This list identifies more than 40 of the most notable ones. All works are identified by the date and form of their first publication.

Inspector Bucket

Inspector Bucket is the detective who solves the mystery of Dickens’s novel Bleak House (serialized 1852–53). For Dickens’s 19th-century readers, his colourless but skillful and decent methods became the standards by which to judge all policemen. Bucket has been called the first important detective in English literature. Husky and middle-aged with a friendly and honest appearance, he has a temperament that renders him philosophical and tolerant of human follies. Nevertheless, his tenacity and omnipresence are his outstanding qualities as a policeman, as he patiently walks the streets or observes people in their homes. His wife helps him solve the murder that is the central mystery of the novel.

Little Nell

Little Nell is a frail child who is a major figure in Dickens’s novel The Old Curiosity Shop (serialized 1840–41). His account of her death after many vicissitudes is often considered the apotheosis of Victorian sentimentality.

Ebenezer Scrooge

Ebenezer Scrooge is the irascible businessman who is the protagonist of Dickens’s tale A Christmas Carol, published in book form in 1843. Despite his transformation at the end of the story, he is more often remembered today as the embittered miser and not as the reformed sinner, and the word scrooge has entered the English language as a synonym for a miserly person.

Seth Pecksniff

Seth Pecksniff is an unctuous English architect whose insincere behaviour made the name Pecksniff synonymous with hypocrisy. He appears in Dickens’s novel Martin Chuzzlewit (serialized 1843–44).

David Copperfield

David Copperfield is the young hero of Dickens’s semiautobiographical novel David Copperfield (serialized 1849–50).

Mrs. Jellyby

Mrs. Jellyby is a satiric character in Dickens’s novel Bleak House (serialized 1852–53) and one of his more memorable caricatures. Matronly Mrs. Jellyby is a philanthropist who devotes her time and energy to setting up a mission in Africa while ignoring the needy in her own family and neighbourhood.

Uriah Heep

Uriah Heep is the villain in Dickens’s novel David Copperfield (serialized 1849–50). The name Uriah Heep has become a byword for a falsely humble hypocrite.

Oliver Twist

Oliver Twist is a young orphan who is the hero of Dickens’s Oliver Twist (serialized 1837–39), a novel that illustrates how poverty nurtures crime.

Samuel Pickwick

Samuel Pickwick is the kindly protagonist of Dickens’s first novel, The Pickwick Papers (serialized 1836–37). He is the head of the group of friends known as the Pickwick Club whose adventures the novel documents.

Madame Defarge

Madame ThΓ©rΓ¨se Defarge is a character in Dickens’s novel A Tale of Two Cities (serialized and published in book form 1859), which is set during the French Revolution. A symbol of vengefulness and revolutionary excess, Madame Defarge sits outside her Paris wine shop endlessly knitting a scarf that is—in effect—a list of those to be killed. Incorporated into the scarf’s pattern are the names of hated aristocrats—including the St. EvrΓ©mondes, the family of Charles Darnay, a leading character.

Sam Weller

Sam Weller is a humorous Cockney bootblack who becomes Samuel Pickwick’s devoted companion and servant in Dickens’s The Pickwick Papers (serialized 1836–37).

Lady Dedlock

In Dickens’s novel Bleak House (serialized 1852–53) Lady Honoria Dedlock is a beautiful woman who harbours the secret that she bore a daughter before her marriage to a wealthy baronet. Privilege and wealth have not fulfilled her expectations of life. When she learns that her daughter is alive and that her own past is in danger of being exposed, she runs away in shame and despair.

Nicholas Nickleby

Nicholas Nickleby is the protagonist of Dickens’s novel Nicholas Nickleby (serialized 1838–39).

Miss Havisham

Miss Havisham is a half-crazed, embittered jilted bride in Dickens’s novel Great Expectations (serialized 1860–61).

Tiny Tim

Tiny Tim is the physically disabled young son of Bob Cratchit, clerk to the miserly Ebenezer Scrooge, in Dickens’s A Christmas Carol (published in book form in 1843). Tim’s father is underpaid and overworked by Scrooge, and he does not have the money needed to cure Tiny Tim. The boy is fated to die young unless he receives proper treatment, but his spirit is strong and generous even as he becomes physically weaker. He has only kind, cheerful thoughts and words of encouragement for all, typified by his toast “God bless us, every one!”

Edwin Drood

Edwin Drood is the alleged victim in Dickens’s unfinished The Mystery of Edwin Drood (written 1870).

Esther Summerson

Esther Summerson is the strong, motherly heroine of Dickens’s novel Bleak House (serialized 1852–53).

Sairey Gamp

Sairey Gamp, a comic character in Dickens’s novel Martin Chuzzlewit (serialized 1843–44), is a high-spirited old Cockney who is a sketchily trained nurse-midwife as enthusiastic at laying out a corpse as she is at delivering a baby.

The Artful Dodger

In Dickens’s Oliver Twist (serialized 1837–39) the Artful Dodger is a precocious streetwise boy who introduces the protagonist Oliver to the thief Fagin and his gang of children, who work as thieves and pickpockets.

Jacob Marley

Jacob Marley is the deceased business partner of Ebenezer Scrooge in Dickens’s A Christmas Carol (published in book form in 1843). Marley’s ghost visits Scrooge on Christmas Eve at the beginning of the story.

Gradgrind

In Dickens’s novel Hard Times (serialized and published in book form in 1854) Gradgrind is the proprietor of an experimental school where only facts are taught. For Dickens he embodies the unsympathetic qualities of the utilitarian social philosophy prevalent in Victorian England.

Charles Darnay

Charles Darnay—the byname of Charles St. EvrΓ©monde—is one of the protagonists of Dickens’s novel A Tale of Two Cities (serialized and published in book form in 1859). He is a highly principled young French aristocrat who is caught up in the events leading up to the French Revolution and is saved from the guillotine by Sydney Carton.

Mr. Bumble

Mr. Bumble is the cruel, pompous beadle of the poorhouse where the orphaned Oliver Twist is raised in Dickens’s novel Oliver Twist (serialized 1837–39). The word bumbledom, derived from his name, characterizes the meddlesome self-importance of the petty bureaucrat. Mr. Bumble marries the poorhouse matron, Mrs. Corney, a tyrannical woman who completely dominates him. In response to learning that a husband bears legal responsibility for his wife’s actions, Mr. Bumble utters the often-quoted line “If the law supposes that—the law is a ass.” The Bumbles become paupers in the same poorhouse where they once inflicted such damage and unhappiness.

Infant Phenomenon

Infant Phenomenon—the byname of Ninetta Crummles—is a child performer who appears in Dickens’s novel Nicholas Nickleby (serialized 1838–39). Ninetta is the beloved eight-year-old daughter of Mr. and Mrs. Crummles, the manager-actors of a troupe of strolling players in which Nicholas Nickleby is a performer.

Jarndyce family

The Jarndyces are the family of principal characters of Dickens’s novel Bleak House (serialized 1852–53). The dreary, seemingly endless Jarndyce v. Jarndyce lawsuit contesting a will provides the background for the novel.

Pip

Pip is the young orphan whose growth and development are the subject of Dickens’s novel Great Expectations (serialized 1860–61).

Sydney Carton

Sydney Carton is one of the protagonists of Dickens’s novel A Tale of Two Cities (serialized and published in book form in 1859). He first appears as a cynical drunkard who serves as a legal aide to a London barrister. He is secretly in love with Lucie Manette, whose French Γ©migrΓ© husband, Charles Darnay, physically resembles Carton. This coincidence enables Carton to stand in for Darnay, who has been sentenced to die on the guillotine. By this act Carton gives meaning to his misspent life.

Fagin

Fagin is one of the villains in Dickens’s novel Oliver Twist (serialized 1837–39) and one of the most notorious anti-Semitic portraits in English literature. He is an old man in London who teaches young homeless boys how to be pickpockets and then fences their stolen goods. Although a miser and exploiter, he shows a certain loyalty and solicitude toward the boys. The Artful Dodger is one of Fagin’s thieves and, for a time, so is the young Oliver Twist. At the novel’s end Fagin is executed for complicity in a murder.

Bill Sikes

Bill Sikes is a violent, brutish thief and burglar in Dickens’s novel Oliver Twist (serialized 1837–39).

Clara Peggotty

Clara Peggotty is a devoted servant in Dickens’s novel David Copperfield (serialized 1849–50).

Abel Magwitch

Abel Magwitch is an escaped convict who plays a major role in the growth and development of Pip, the protagonist in Dickens’s novel Great Expectations (serialized 1860–61).

Cratchit family

The Cratchits are an impoverished, hardworking, and warmhearted family in Dickens’s A Christmas Carol (published in book form in 1843). The family comprises Bob Cratchit, his wife, and their six children: Martha, Belinda, Peter, two smaller Cratchits (an unnamed girl and boy), and the ever-cheerful Tiny Tim.

Flora Finching

In Dickens’s novel Little Dorrit (serialized 1855–57) Flora Finching, the daughter of mean-spirited Christopher Casby, is a widow who was once a sweetheart of Arthur Clennam and still cherishes a passion for him. Now middle-aged, she is kindhearted and sympathetic.

Richard Carstone

Richard Carstone is the heir of John Jarndyce in Dickens’s Bleak House (serialized 1852–53).

Josiah Bounderby

Josiah Bounderby is a wealthy businessman in Dickens’s novel Hard Times (serialized and published in book form 1854). He uses everyone around him to further his own interests. He keeps the existence of his mother a secret as he perpetuates the myth that he began life as an orphan who had to struggle to survive and to establish himself.

Mr. Merdle

Mr. Merdle is a financier in Dickens’s novel Little Dorrit (serialized 1855–57).

Mr. Jaggers

Mr. Jaggers is the honest and pragmatic lawyer in Dickens’s novel Great Expectations (serialized 1860–61) who handles the affairs of the protagonist Pip as well as those of most of the characters in the book.

Alexander and Lucie Manette

Alexander Manette is a French doctor, and Lucie is his daughter, in Dickens’s novel A Tale of Two Cities (serialized and published in book form 1859).

Arthur Clennam

Arthur Clennam is the kindly middle-aged man who loves Amy Dorrit, the heroine of Dickens’s novel Little Dorrit (serialized 1855–57).

Joe Gargery

Joe Gargery is the kindhearted and loyal blacksmith who is married to Pip’s mean-spirited sister in Dickens’s novel Great Expectations (serialized 1860–61).

Martin Chuzzlewit

Martin Chuzzlewit is the protagonist of Dickens’s novel Martin Chuzzlewit (serialized 1843–44). He is an apprentice architect who is fired by Seth Pecksniff and disinherited by his grandfather; he travels with a servant, Mark Tapley, to the United States, where they are swindled and have other adventures.

The Editors of Encyclopaedia Britannica

English Accents, --- From "My Fair Lady"...




 

Wednesday, December 28, 2022

"Dickensian," --- Outstanding 2015-2016 BBC T.V. series.

πŸ’–πŸ’–πŸ’–πŸ’–πŸ’–πŸ’–πŸ’–πŸ’–πŸ’– 
I enjoyed this immensely!!! It's so worthy of binge watching, over and over!!! Was I sorry it wasn't renewed for a second season???... OF COURSE!!!...

I seldom review on my blogs, but this was so superb, a sort of prequel featuring many of Charles Dickens' characters from his stories...


Left to right, --- Bill Sikes, his dog Bulls-eye, Nancy, Inspector Bucket, the messenger boy and Jacob Marley.


Mark Stanley was perfect as Bill Sikes. Yes, Bill is a brute, but he played him with such skill that we could see Bill does have a heart. He did love Nancy, and I think he loved his dog Bulls-eye too, an adorable bull terrier. (l ate it up with a spoon when Bill socked πŸ’ͺthat snake 🐍Meriwether Compeyson.)


The hilarious Mr. & Mrs. Bumble.


The irrepressible Mrs. Gamp, an incompetent, gin-swilling nurse, & the social-climbing shrew Mrs, Bumble.


Mrs. Gamp & Miss Biggetywitch, the nosy gossip.
 (Dickens is so great with these names. Isn't he?)


Peter Cratchit & Nell outside The Olde Curiosity Shoppe.


A perfect Fagin, the sly King Of Manipulators, the cunning Thieves Master, has a heart, sometimes, other times he is extremely cruel.


The detective Inspector Bucket, an intelligent, exacting, kind & good man, played brilliantly by Stephen Rea. He should have received an award.


The Artful Dodger, the Prince Of Pickpockets, in "Oliver Twist" it's hinted that he's transported in a convict ship to Australia.


The bitter, too proper, no-fun-at-all, deceitful Frances.

See the source image

Sweet Nancy & her Bill, --- I loved them as a couple, even though I know hot tempered Bill will beat Nancy to death in the novel, "Oliver Twist". 


Wealthy, naΓ―ve
 Amelia Havisham & Meriwether Compeyson, the despicable swindler who can smile with no warmth and laugh with no humor.


Miss Havisham wore her wedding dress till it rotted off her. But, she was such a stubborn fool I didn't care. I read "Great Expectations" in high school because I had to, --- hated it. I had to read "A Tale Of Two Cities" too. I hated that too. 😝 Years later, I read "Oliver Twist" & "The Olde Curiosity Shoppe," and liked them both.


Occult healer Mr. Venus.


Amelia Havisham and her faithful King Charles Spaniel Jip. Amelia, --- so foolish and stubborn. Does she ever question why no one likes Meriwether Compeyson but her? Why her dog hates him so much? Of course, Compeyson kidnapped Jip and used him in a faked dog rescue. After that, Jip growled whenever he saw Compeyson. Jip sees Compeyson as an evil weasel, of course, and he was trying to warn and protect Amelia. She should have taken note of her dog's actions. Dogs are excellent judges of character. (I'm glad Jip bit Compeyson, but then >>> 😭 Compeyson killed him.)

Trailer...


Nancy singings during the series finale...


The catchy theme music from the Intro...


 Left to right, --- Bumble, Mrs. Bumble, Mrs. Gamp, Captain Hawdon and Honoria Barbary.