In society
In view of the success of her novels, particularly Jane Eyre, Brontë was persuaded by her publisher to make occasional visits to London, where she revealed her true identity and began to move in more exalted social circles, becoming friends with Harriet Martineau and Elizabeth Gaskell, and acquainted with William Makepeace Thackeray and G.H. Lewes. She never left Haworth for more than a few weeks at a time, as she did not want to leave her ageing father. Thackeray’s daughter, writer Anne Isabella Thackeray Ritchie, recalled a visit to her father by Brontë:
Brontë's friendship with Elizabeth Gaskell, while not particularly close, was significant in that Gaskell wrote the first biography of Brontë after her death in 1855.
Villette
Brontë's third novel, the last published in her lifetime, was Villette, which appeared in 1853. Its main themes include isolation, how such a condition can be borne, and the internal conflict brought about by social repression of individual desire. It's main character, Lucy Snowe, travels abroad to teach in a boarding school in the fictional town of Villette, where she encounters a culture and religion different from her own, and falls in love with a man (Paul Emanuel) whom she cannot marry. Her experiences result in a breakdown but eventually she achieves independence and fulfilment through running her own school. A substantial amount of the novel's dialogue is in the French language. Villette marked Brontë's return to writing from a first-person perspective (that of Lucy Snowe); the technique she had used in Jane Eyre. Another similarity to Jane Eyre lies in the use of aspects of her own life as inspiration for fictional events;[29] in particular her reworking of the time she spent at the pensionnat in Brussels. Villette was acknowledged by critics of the day as a potent and sophisticated piece of writing although it was criticised for "coarseness" and for not being suitably "feminine" in its portrayal of Lucy's desires.[30]
Marriage
Before the publication of Villette Brontë received a proposal of marriage from Arthur Bell Nicholls, her father's curate, who had long been in love with her. She initially turned down his proposal and her father objected to the union at least partly because of Nicholls's poor financial status. Elizabeth Gaskell, who believed that marriage provided "clear and defined duties" that were beneficial for a woman,[32] encouraged Brontë to consider the positive aspects of such a union and tried to use her contacts to engineer an improvement in Nicholls's finances. Brontë meanwhile was increasingly attracted to Nicholls and by January 1854 she had accepted his proposal. They gained the approval of her father by April and married in June. Her father Patrick had intended to give Charlotte away, but at the last minute decided he could not, and Charlotte had to make her way to the church without him. The married couple took their honeymoon in Banagher, County Offaly, Ireland. By all accounts, her marriage was a success and Brontë found herself very happy in a way that was new to her.
Death[edit]
Brontë became pregnant soon after her wedding, but her health declined rapidly and, according to Gaskell, she was attacked by "sensations of perpetual nausea and ever-recurring faintness". She died, with her unborn child, on 31 March 1855, three weeks before her 39th birthday. Her death certificate gives the cause of death as tuberculosis, but biographers including Claire Harman suggest that she died from dehydration and malnourishment due to vomiting caused by severe morning sickness or hyperemesis gravidarum. There is also evidence that she died from typhus, which she may have caught from Tabitha Ackroyd, the Brontë household's oldest servant, who died shortly before her. Brontë was interred in the family vault in the Church of St Michael and All Angels at Haworth.
The Professor, the first novel Brontë had written, was published posthumously in 1857. The fragment of a new novel she had been writing in her last years has been twice completed by recent authors, the more famous version being Emma Brown: A Novel from the Unfinished Manuscript by Charlotte Brontë by Clare Boylan in 2003. Most of her writings about the imaginary country Angria have also been published since her death.
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